--- name: storyboard-creation description: "Film and video storyboarding with shot vocabulary, continuity rules, and panel layout. Covers shot types, camera angles, movement, 180-degree rule, and annotation format. Use for: video planning, film pre-production, ad storyboards, music video planning, animation. Triggers: storyboard, storyboarding, shot list, film planning, video planning, pre production, shot composition, camera angles, scene planning, visual script, animatic, storyboard panels, video storyboard" allowed-tools: Bash(infsh *) ---

Storyboard Creation

Create visual storyboards with AI image generation via inference.sh CLI.

Quick Start

curl -fsSL https://cli.inference.sh | sh && infsh login

# Generate a storyboard panel
infsh app run falai/flux-dev-lora --input '{
  "prompt": "storyboard panel, wide establishing shot of a modern city skyline at sunset, cinematic composition, slightly desaturated colors, film still style, 16:9 aspect ratio",
  "width": 1248,
  "height": 832
}'

# Stitch panels into a board
infsh app run infsh/stitch-images --input '{
  "images": ["panel1.png", "panel2.png", "panel3.png"],
  "direction": "horizontal"
}'

> Install note: The install script only detects your OS/architecture, downloads the matching binary from dist.inference.sh, and verifies its SHA-256 checksum. No elevated permissions or background processes. Manual install & verification available.

Shot Types

| Abbreviation | Name | Framing | When to Use | |-------------|------|---------|-------------| | ECU | Extreme Close-Up | Eyes only, a detail | Intense emotion, revealing detail | | CU | Close-Up | Face fills frame | Emotion, reaction, dialogue | | MCU | Medium Close-Up | Head and shoulders | Interviews, conversations | | MS | Medium Shot | Waist up | General dialogue, action | | MLS | Medium Long Shot | Knees up | Walking, casual interaction | | LS | Long Shot | Full body | Character in environment | | WS | Wide Shot | Environment dominant | Establishing location, scale | | EWS | Extreme Wide Shot | Vast landscape | Epic scope, isolation, transitions |

Generating Each Shot Type

# Close-Up — emotion focus
infsh app run falai/flux-dev-lora --input '{
  "prompt": "close-up shot of a woman face showing concern, soft dramatic lighting from the left, shallow depth of field, cinematic film still, slightly desaturated",
  "width": 1248,
  "height": 832
}'

# Medium Shot — dialogue scene
infsh app run falai/flux-dev-lora --input '{
  "prompt": "medium shot of two people talking across a table in a cafe, warm afternoon light through windows, natural composition, cinematic film still, 35mm lens look",
  "width": 1248,
  "height": 832
}'

# Wide Shot — establishing
infsh app run falai/flux-dev-lora --input '{
  "prompt": "wide establishing shot of a futuristic laboratory interior, dramatic overhead lighting, long corridor with glass walls, sci-fi atmosphere, cinematic composition, anamorphic lens style",
  "width": 1248,
  "height": 832
}'

Camera Angles

| Angle | Effect | When to Use | |-------|--------|-------------| | Eye Level | Neutral, natural | Default for most scenes | | High Angle | Subject looks small, vulnerable | Showing weakness, overview | | Low Angle | Subject looks powerful, dominant | Authority, heroism, threat | | Bird's Eye | God-like overview | Maps, establishing geography | | Worm's Eye | Extreme power, awe | Architecture, towering figures | | Dutch Angle | Unease, disorientation | Tension, madness, action | | Over-the-Shoulder (OTS) | Viewer positioned with character | Conversations, POV |

Camera Movement

| Movement | Description | Emotion | |----------|-------------|---------| | Pan | Camera rotates horizontally (on tripod) | Scanning, following, revealing | | Tilt | Camera rotates vertically (on tripod) | Revealing height, power | | Dolly | Camera moves toward/away from subject | Intimacy (in), distance (out) | | Truck | Camera moves laterally | Following alongside, revealing | | Crane/Jib | Camera moves up or down vertically | Grand reveals, transitions | | Zoom | Lens focal length changes (camera stays) | Focus shift, dramatic emphasis | | Steadicam/Gimbal | Smooth handheld tracking | Immersion, following action | | Handheld | Deliberate camera shake | Urgency, documentary feel, chaos | | Static | Camera doesn't move | Stability, observation, tension |

In storyboards, indicate movement with arrows drawn on panels.

Continuity Rules

The 180-Degree Rule

Imagine a line (axis) between two characters in conversation. The camera must stay on ONE side of that line.

         Character A        Character B
              ●─────────────────●
             /                   \
           /     CAMERA ZONE      \
         /     (stay on this side)  \
       📷          📷          📷
     Camera 1   Camera 2   Camera 3

Crossing the line confuses the viewer about spatial relationships. Only cross intentionally (with a neutral shot in between or a visible camera move).

Match on Action

When cutting between two angles of the same action, the action must continue seamlessly:

Panel A: Hand reaches for door handle (medium shot)
Panel B: Hand grabs door handle (close-up)
         ↑ Action continues from same point

Eyeline Match

When a character looks at something, the next shot should show what they're looking at, from their approximate point of view.

Panel A: Character looks up and to the right
Panel B: The object they see, framed from slightly below-left

Screen Direction

If a character moves left-to-right in one shot, they should continue left-to-right in the next. Reversing direction implies they turned around.

Panel Layout

Standard Formats

| Layout | Panels | Use For | |--------|--------|---------| | 2x3 (6 panels) | 6 per page | Detailed scenes, dialogue | | 3x3 (9 panels) | 9 per page | Action sequences, montages | | 2x2 (4 panels) | 4 per page | Key moments, presentations | | Single | 1 per page | Hero shots, critical moments |

Panel Annotation Format

Each panel should include:

┌────────────────────────────────────┐
│ SCENE 3 — SHOT 2                   │ ← Scene and shot number
│                                    │
│   [Generated image here]           │ ← Visual
│                                    │
├────────────────────────────────────┤
│ Shot: MS, eye level                │ ← Shot type and angle
│ Movement: Slow dolly in            │ ← Camera movement
│ Duration: 4 sec                    │ ← Estimated duration
│ Action: Sarah opens the letter     │ ← What happens
│ Dialogue: "This changes everything"│ ← Any spoken lines
│ SFX: Paper rustling, clock ticking │ ← Sound effects
│ Music: Tension builds              │ ← Music cue
└────────────────────────────────────┘

Storyboard Workflow

Step 1: Shot List

Before generating images, write a shot list:

SCENE 1 — OFFICE, DAY

1.1  WS  - Establishing shot of office building exterior, morning
1.2  MS  - Sarah walks through office, carrying coffee
1.3  CU  - Sarah's face, notices something on her desk
1.4  ECU - An envelope on the desk, unfamiliar handwriting
1.5  MS  - Sarah picks up envelope, opens it
1.6  CU  - Sarah's eyes widen as she reads
1.7  ECU - Key phrase on the letter (insert text)

Step 2: Generate Panels

Use consistent style across all panels:

# Establish a consistent style prompt suffix
STYLE="cinematic film still, slightly desaturated, warm color grade, 35mm lens, shallow depth of field"

...